It's been 25 years since the San Francisco Transgender Film Festival first came into being. Over the years the festival has grown to become one of the most respected and best-known events in the trans community.
Queer filmmaker Fernando Grostein Andrade's new film "Breaking Myths: the Fragile and Catastrophic Masculinity of Jair Bolsonaro" is a deep dive into the topic of what politics in Brazil has become since Jair Bolsonaro came to power.
After attending the world-premiere production of "A Picture of Two Boys," now on stage at the New Conservatory Theatre Center, audience members will have much to discuss.
"Tár" is an intense and relentless investigation about the fictional orchestral director Lydia Tár (the phenomenal Cate Blanchett) and her downfall. The movie, seemingly centered around music, is really about power.
The latest LGBTQ and nonbinary-inclusive TV viewing includes a new 'Jeopardy!' champ, witches and wolves, killer ducks on a cruise ship, Latina drag stars, and an unpredictable 'Patient.'
As the new docuseries "Queer for Fear: The History of Queer Horror" begins, lesbian icon Lea Delaria points out that horror exists "outside of society," as do queer people. The four-part series can now be seen on Shudder.
French baritone Stephane Degout, a central player in repertoires ranging from early music to new-music premieres, is featured in four recent recordings.
Every time house and dance music legend Ultra Naté releases a new album it's a cause for celebration. Her latest, simply titled "Ultra" (Peace Biscuit), is no exception.
With an opening that looks like what "West Side Story" might resemble had it been directed by John Waters, Amanda Kramer's campy and thought-provoking, "Please Baby Please" is a sight to behold.
Since the plot is a virtual carbon copy of its 1993 predecessor, "Hocus Pocus 2" could be considered an unimaginative, repackaged remake, with some amusing moments.
"The Red Shades," now being presented in a world premiere production at Z Space, began seven years ago as a series of voice memos while composer Adrienne Price commuted to and from work.
Evening fog chills the city, making a mysterious cover for things that go bump in the night. The San Francisco Symphony and San Francisco Opera are providing the soundtrack as Halloween creeps near.
