Sara Toby Moore is the writer and star of "Atomic Comic: a Human Cartoon Fantasia," which will perform at Z Space from June 30 through July 8. It's a show rife with humor while dealing with some very serious topics.
Haley Dortch plays Fantine in the latest touring production of "Les Miserables," which opens at the Orpheum Theater on July 5. Christine Heesun Hwang is also in the cast, playing Éponine.
Jonathan Harper is good at luring and lulling readers. In his debut novel "You Don't Belong Here," the queer writer sets the stage with protagonist Morris, a bisexual writer from the DC area, and an unexpected encounter.
Here we go! The last week of June is full-on LGBTQetc. Pride. It's time to stand out, be out, and go out to arts and nightlife events all over the Bay Area.
Now at Fort Mason in a premiere production by Lorraine Hansberry's namesake theater company, Traci Tolmaire's drama imagines a single night of spiky conversation between the "Raisin In The Sun" playwright, singer Nina Simone and author James Baldwin.
Looking through this year's Frameline film selections, a majority of the films focus on young adult LGBTQ people and their concerns. Out of 71 films, 50 are in the teens-to-35 category.
The director of the new production of the 1987 musical by Stephen Sondheim and James Lapine, playing a limited engagement at the Curran Theater next week, discusses the timeless themes in the hit musical.
Happy Pride Indictment Month! Our intrepid TV columnist covers political news, including inanely antigay GOP remarks, plus more uplifting network quotes from singer-actress Janelle Monáe and actor (now author) Elliot Page.
There's such sinewy, feral strength in the voice that powers Henry Hoke's new novel, "Open Throat" that the term "genre-bending" doesn't suffice. The novel is literally in a class of its own.
Along with the arts events in this week's issue, we've got dozens more in our expansive coverage, with comprehensive LGBTQ bar and nightclub listings. It's rainbowlicious!
Sacramento's new dual exhibit, "Breaking the Rules," benefits by the association that Crocker Art Museum curator Scott A. Shields had with both gay artists during their lifetimes.