Issue:  Vol. 44 / No. 51 / 18 December 2014
 
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Oscar picks 2013

Film


Best Actress contender Emmanuelle Riva in director Michael Haneke's Amour.
Photo: Sony Pictures Classics
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As the 85th Academy Awards ceremony rolls into view, the event that some of us consider our Super Bowl, critics are once again moaning about whether movies are still culturally relevant. Some of this year's crop of Best Picture nods have inspired political controversy (Argo, Lincoln, Zero Dark Thirty), and there are fewer openly gay artists up for awards: playwright Tony Kushner for Best Adapted Screenplay (Lincoln ), David France for his brilliant AIDS history doc How to Survive a Plague, and stop-action co-director Chris Butler for his animation feature ParaNorman (the first time such a film has had a lead gay character). For those with serious interest in the awards prospects for LGBT film artists, see my summation of the 2013 Independent Spirit Awards at the end of this article.

The Best Picture competition has once again swollen to nine films, and it's an impressive field. Going alphabetically:

Amour Veteran Austrian auteur Michael Haneke eschews his trademark polarizing story tropes to produce a moving and complex portrait of the final months of a marriage between two retired Parisian music-teachers.

Argo Who would have thought that anyone could have pulled off an audience-friendly comedy/drama on the 1979 Iranian hostage crisis? I still recall SF critics walking out before a screening of Argo director/star Ben Affleck's career nadir, 2003's Jennifer Lopez vehicle Gigli. Ben, all is forgiven!

Beasts of the Southern Wild In Benh Zeitlin's audacious post-Katrina, African American folk story, a female Huck Finn fights to survive the storm with a grouchy, drunken, difficult daddy.

Django Unchained Quentin Tarantino's brilliant bad-ass black/white buddy caper, a fitting response to D.W. Griffith's rancid brilliance in Birth of a Nation, is a loose-cannon Best Picture pick.

Les Miserables Tom Hooper's translation of Victor Hugo's romantic locomotive of a novel, with its realistic depiction of 19th-century poverty and rebellion, kicks in as Hugh Jackman's Valjean carries Eddie Redmayne's wounded rebel through the Parisian sewers, invoking all manner of queer fantasies.

Life of Pi Among its many virtues, this beautiful fable of a teen boy holding a grown tiger at bay for 277 days at sea makes a strong case for the superiority of live-action drama over animation, notwithstanding Pi's clear debt to some world-class digital cinema tricks.

Lincoln In a truly epic first act, the equal of anything in the David Lean canon, Steven Spielberg and his screenwriting collaborator, playwright Tony Kushner, frame the awful dilemma Lincoln faced in what would prove to be the last four months of his life.

Silver Linings Playbook David O. Russell's eccentric Philly-cheesesteak screwball comedy leaves me cold, but may prove to be his big crossover hit.

Zero Dark Thirty Kathryn Bigelow is as ruthlessly efficient in relating the story of America shedding its last iota of innocence as the Navy Seals were in bagging Osama Bin Laden.

And the envelope, please: My heart lies with Django, but the Best Pic winner will be Argo.

Best Director: Steven Spielberg, Lincoln, is the likely winner. Too bad Tarantino wasn't nominated.

Ang Lee, Life of Pi: Arguably he pulled off the toughest job, translating an "unfilmable" book and mentoring a succulent debut performance from the kid on the raft.

David O. Russell, Silver Linings Playbook: Comedy seldom scores at Oscar time.

Benh Zietland, Beasts of the Southern Wild: He's happy just to be included in this crowd.

Best Actor contender
Daniel Day-Lewis in director
Steven Spielberg's Lincoln.
Photo: David James, DreamWorks

Best Actor: Daniel Day-Lewis, Lincoln. I can't imagine the Academy not bowing to Mr. Lincoln.

Best Actress: Emmanuelle Riva, Amour. She broke my heart at 15 in Hiroshima, Mon Amour, and I think she's got the inside track for this career-topping performance.

Best Supporting Actor: Tommy Lee Jones, Lincoln. Tommy Lee's passionate abolitionist may steal the prize in a category that's too close to call.

Best Supporting Actress: Sally Field, Lincoln. Sally beats my choice of the brilliant newcomer Amy Adams (The Master).

Original Screenplay: Django Unchained. Quentin Tarantino gets his consolation-prize Oscar for an incendiary re-imagining of America's most dastardly chapter.

Adapted Screenplay: Lincoln. Tony Kushner wins the day with his mainstream take on the abolition of slavery.

Documentary Feature: How to Survive a Plague. David France deserves the nod for this deft, emotional account of ACT-UP New York – but don't be surprised if Searching for Sugarman wins by a nose.

Animation Feature: ParaNorman, Sam Fell and Chris Butler. This would be an awesome win, but you have to reckon with the box-office champ Wreck-it Ralph.

Live Action Short Subject: Buzkashi Boys. This moving coming-of-age tale should carry the day.

Animation Short Subject: Paperman is my pick, but never underestimate the Simpsons (Maggie Simpson in the Longest Daycare).

Foreign Language: Amour (Austria). This has Michael Haneke's name all over it.

This Saturday on the IFC cable channel, the Independent Spirit Awards (the Bohemian Oscars) will hand out some coveted prizes with several queer-themed films in contention:

Best Feature: Richard Linklater's East Texas comedy Bernie, about the misadventures of a flaming small-town undertaker, dukes it out with Ira Sachs' incendiary queer love story Keep the Lights On. Sachs is also up for Best Director.

Best Actor: Bernie's Jack Black squares off against Keep the Lights On's Thure Lindhardt. Sachs is also nominated for Best Screenplay. The queer-themed young-adult hit The Perks of Being a Wallflower is nominated for Best First Feature. Jonathan Lisecki is nominated for Best First Screenplay for Gayby. David France's How to Survive a Plague is matched against the Highland Hospital doc The Waiting Room, which is also up for the Truer Than Fiction prize.

 






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