The Castro Theatre greets the first month of Fall with a juicy collection of classic thematic double bills. Among the highlights is a one-day retrospective of the work of Italian film star Marcello Mastroianni (Sept. 22).
This first part of our fall film preview, covering 20 titles, features an array of fiction and nonfiction features likely to play the Castro, Roxie, Alamo Drafthouse and Landmark Theatres.
I have to hand it to the "Rodents of Unusual Size" directorial trio Quinn Costello, Chris Metzler and Jeff Springer. They've made a little gem that covers the waterfront on sensitive issues from wetlands erosion to animal rights.
In the new Glenn Close dramedy "The Wife," the year is 1993, and Joan Castleman, an approval-starved, dutiful wife, is riding through the streets of Stockholm with her puffed-up novelist hubby Joe (Jonathan Pryce).
Another outstanding entry in Logo-TV's final presentation in its three-documentary summer series. "Quiet Heroes," which premiered earlier this year at Sundance, will be shown on August 23, continuing through the rest of the month, streamable on August 24.
A new digitally remastered, sing-along version of the Beatles' animated film "Yellow Submarine" will screen at the Castro Theater for five days, beginning on Fri., Aug. 17.
Nonesuch has just released the first recording of "Doctor Atomic," composer John Adams' opera about the Manhattan Project, which had its world premiere from San Francisco Opera in 2005.
"Skate Kitchen" is a terrific new girls-can-skate-too New York City drama from San Francisco-born, Tamalpais High School-educated director Crystal Moselle.
In director Matt Tyrnauer's new documentary "Scotty and the Secret History of Hollywood," author Scotty Bowers attends a book signing for his memoir "Full Service: My Adventures in Hollywood and the Secret Sex Lives of the Stars."
Based on a true story, director Spike Lee's latest, "BlacKkKlansman" is the tale of Ron Stallworth (John David Washington), a rookie cop in Colorado Springs during the early 1970s.
The Castro Theatre observes the dog days of summer with a calendar highlighted by David Lean's "Lawrence of Arabia" and Alfred Hitchcock's once-neglected late-1950s San Francisco-set masterpiece "Vertigo."
