Alonzo King LINES Ballet's fall program at Yerba Buena Center for the Arts featured two brand new works: "The Personal Element," which premiered at the Vail Dance Festival in August, and the world premiere of "Azoth."
Cal Performances finally kicked off its season of major international performing arts last Friday night in Zellerbach Hall with a brilliant revival of Mark Morris' "Mozart Dances." I am glad to see it again.
Choreographer James Kudelka is putting the final touches on his ballet "The Man in Black," the top-billed work on Smuin Contemporary Ballet's first program of the season.
This week begins our modest effort to offer a Fall Preview in the Arts & Culture pages. In this issue find previews of the fall season in Bay Area art museums, at the San Francisco Symphony, in Film, TV, Poetry and Prose.
Garrett + Moulton Productions wowed us last Friday night. Their show packed the theater at Yerba Buena Center for the Arts; the audience left exhilarated.
On August 29 and September 5, we'll present our annual two-part Fall Arts Preview issues. From the museums and galleries, to local theatre, -- our fall arts preview editions will cover it all.
When Tony Yazbeck takes the stage at Feinstein's at the Nikko on Aug. 15 & 16, you'll get the expected singing and storytelling, but you'll also get tap-dancing, a craft infrequently plied on the small-to-non-existent stages of cabaret venues.
This Sunday, July 28, San Francisco Ballet makes their only out-of-season performance for hometown fans during the long dry spell for balletomanes from May to November.
The image that probably comes to mind when you think of swans and ballet was the brainchild of Marius Petipa, the great 19th-century choreographer who brought "Swan Lake" back from oblivion.
First released at the height of the AIDS health crisis, "Paris Is Burning" is a 1990 feature-length documentary in which director Jennie Livingston embeds us with a subversive and feverishly nimble community of gay and trans, white, black and brown kids.
The Fresh Meat Festival is an annual San Francisco performance celebration of transgender talent in diverse areas, from musical and vocal acts to dance performances, performance arts, theater pieces, and beyond.
The whole thrust of the San Francisco Ballet School's graduation recital (three shows last week; I saw Thursday night's) was to display the competitive edge the school gives its graduates.
When the glorious dancers of San Francisco Ballet, the pride of our city, ended their season at the Opera House with a brilliant run of "Shostakovich Trilogy," a three-act abstract ballet, they presented a political spectacle of almost imponderable depth.