Beautiful for who they really are |
Fine Arts |
'Transfigurations: Photos of Self-Made Women and Men'
by Patrick Letellier
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Lyle, from Transfigurations.
Photo: Jana Marcus |
It's a photo exhibit unlike anything most people have ever seen. Thirty-one large, black-and-white portraits of what appear to be ordinary men and women looking relaxed, peaceful and directly at the camera, their eyes holding your gaze as you move from picture to picture.
One man sports a trim beard, a print tie and a sly smile. Another crouches over slightly, balancing his five-year-old son on his shoulders. A third, shirtless and thickly muscled, rests both hands on the back of his head, as if gently flexing his biceps.
Like the men, the women are both elegant and unremarkable at the same time. One looks regal in a sleek print dress, hands folded, her face softly framed with dark, wavy hair. Another, with a wool cap and pretty smile, tilts her head slightly, her long, lean arms crossed on the table in front of her.
They all look like people you know, have worked with, or stood next to on the bus. Or people you've slept with. And that's the point.
The award-winning exhibit called Transfigurations, by Santa Cruz photographer Jana Marcus, features studio portraits of transgender men and women that strip away the veneer of drag-queen-glamour associated with trans women and add a modicum of visibility to the mostly invisible population of transgender men (think, um, can you even name one? OK, maybe you can, if you live in San Francisco.)
"It shows people who we are," says Marcus Arana, the man in the tie, better known locally as a discrimination investigator at the San Francisco Human Rights Commission. "It also shows that we walk among you. B
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Tiffany, from Transfigurations.
Photo: Jana Marcus |
The subjects include men and women of varying ages, races and class backgrounds, and shows them at different points in the transition process. The show includes before-and-after nudes of men and women who have surgically altered their bodies to better reflect their inner sense of themselves as male or female. One subject, Aidan, is featured in five portraits taken over two years that depict his breasts and, later, surgical scars after his breasts were removed.
Show and tell
Each portrait is accompanied by the subject's personal statement, a testimony about what it means to be transgender, and their musings on gender, the body, and societal prejudice.
"I don't feel a need to prove myself as a guy any more, and I have grown accustomed to the luxury of passing," Aidan's statement reads. "Most remarkably, I don't think about trans issues any more until someone else brings them up."
"By constructing the woman I am today, I was able to become my own creation," says the statement by Tiffany Woods. "The outcome of my struggles is what makes me special, not whether I've had surgery to create a vagina."
Woods, who runs an HIV prevention program for transgender people in Alameda County, says the exhibit is important not just to show the rest of the world what transgender people actually look like, but to show transgender people themselves what is possible.
"There's always this sense in transitioning that somehow you're just not there yet. Then you look at yourself through Jana's lens, and you see the photos she took, and you say, 'Oh my God. I made it,'" Woods says. "I want younger trans people or people going through the transition to see these photos and get a sense of 'that could be me.'"
The exhibit, which started two years ago as Marcus' graduate school photography project, originally featured transgender men only. It won a slew of awards, including the prestigious Best Photos of the Year Award in 2004 and 2005 by New York's Photo District News.
But after spending two years interviewing and photographing transgender men, Marcus wanted to balance the work by including trans women. She has photographed 50 people so far, and now has an exhibit too big for any one gallery. For upcoming shows around the country, various curators pick through her collection for the images they want to display. And she is still shooting. She is also shopping the exhibit to literary agents with the hopes of turning the array of photos into a coffee-table book.
"This project has taken on a life of its own that is much bigger than me," Marcus says. "These people have struggled their whole lives to become who they are today, so to see themselves in a photograph in a gallery as the beautiful, dignified woman or man they are is very powerful."
Transfigurations shows at Good Vibrations, 1620 Polk St., SF, through Aug. 21. Info and a slide show of the exhibit at jlmphotography.com.

